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Winter 2017, Vol. 137 No. 1, (pp. 23-43) DOI: 10.1525/rep.2017.137.1.23
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IntroductionLanguage-in-Use and Literary Fieldwork
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Winter 2017, Vol. 137 No. 1, (pp. 1-22) DOI: 10.1525/rep.2017.137.1.1
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The End of Educated Democracy
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Fall 2011, Vol. 116 No. 1, (pp. 19-41) DOI: 10.1525/rep.2011.116.1.19
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Plasticity, Form, and the Matter of Character in Middlemarch
S. Pearl Brilmyer

Spring 2015, Vol. 130 No. 1, (pp. 60-83) DOI: 10.1525/rep.2015.130.1.60
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The Metapragmatics of the “Minor Writer”Zoë Wicomb, Literary Value, and the Windham-Campbell Prize Festival
Aaron Bartels-Swindells

Winter 2017, Vol. 137 No. 1, (pp. 88-111) DOI: 10.1525/rep.2017.137.1.88
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Real-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works
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Winter 2017, Vol. 137 No. 1, (pp. 143-166) DOI: 10.1525/rep.2017.137.1.143
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Mimesis on TrialLegal and Literary Verisimilitude in Boccaccio’s Decameron
Justin Steinberg

Summer 2017, Vol. 139 No. 1, (pp. 118-145) DOI: 10.1525/rep.2017.139.1.118
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Interpret or Describe?
Cannon Schmitt

Summer 2016, Vol. 135 No. 1, (pp. 102-118) DOI: 10.1525/rep.2016.135.1.102
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Specimen PoeticsBotany, Reanimation, and the Romantic Collection
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Summer 2017, Vol. 139 No. 1, (pp. 60-94) DOI: 10.1525/rep.2017.139.1.60
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Talking with TextsHazlitt’s Ephemeral Style
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Winter 2017, Vol. 137 No. 1, (pp. 44-67) DOI: 10.1525/rep.2017.137.1.44

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