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Tiananmen Square: A Political History of Monuments
Wu Hung

Summer, 1991, Vol. 35 (pp. 84-117) DOI: 10.2307/2928718
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Music Lessons on Affect and Its Objects
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Fall 2018, Vol. 144 No. 1, (pp. 34-60) DOI: 10.1525/rep.2018.144.1.34
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The Uses of Complicity in the Changing Mise-en-Scène of Anthropological Fieldwork
George E. Marcus

Summer, 1997, Vol. 59 (pp. 85-108) DOI: 10.2307/2928816
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Selma and the Place of Fiction in Historical Films
Jeffrey Knapp

Spring 2018, Vol. 142 No. 1, (pp. 91-123) DOI: 10.1525/rep.2018.142.1.91
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Cloud Physiognomy
Lorraine Daston

Summer 2016, Vol. 135 No. 1, (pp. 45-71) DOI: 10.1525/rep.2016.135.1.45
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The Interdisciplinary Fallacy
Jonathan Kramnick

Fall 2017, Vol. 140 No. 1, (pp. 67-83) DOI: 10.1525/rep.2017.140.1.67
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Mildred Pierce, Warner Bros., and the Corporate Family
Catherine Jurca

Winter 2002, Vol. 77 No. 1, (pp. 30-51) DOI: 10.1525/rep.2002.77.1.30
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The Destruction of Hood’s Ordnance TrainA Love Story
Alexander Nemerov

Fall 2017, Vol. 140 No. 1, (pp. 84-100) DOI: 10.1525/rep.2017.140.1.84
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Calais’s “Jungle”Refugees, Biopolitics, and the Arts of Resistance
Debarati Sanyal

Summer 2017, Vol. 139 No. 1, (pp. 1-33) DOI: 10.1525/rep.2017.139.1.1
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Imperialist Nostalgia
Renato Rosaldo

Spring, 1989, Vol. 26 (pp. 107-122) DOI: 10.2307/2928525

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