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Reading for Mood
Jonathan Flatley

Fall 2017, Vol. 140 No. 1, (pp. 137-158) DOI: 10.1525/rep.2017.140.1.137
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Her Body, Himself: Gender in the Slasher Film
Carol J. Clover

Autumn, 1987, Vol. 20 (pp. 187-228) DOI: 10.2307/2928507
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On the Emergence of Memory in Historical Discourse
Kerwin Lee Klein

Winter, 2000, Vol. 69 (pp. 127-150) DOI: 10.2307/2902903
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Alias Bunbury: Desire and Termination in The Importance of Being Earnest
Christopher Craft

Summer, 1990, Vol. 31 (pp. 19-46) DOI: 10.2307/2928398
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Staging the Last Judgment in the Trial of Charles I
Julie Stone Peters

Summer 2018, Vol. 143 No. 1, (pp. 1-35) DOI: 10.1525/rep.2018.143.1.1
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Postcoloniality and the Artifice of History: Who Speaks for "Indian" Pasts?
Dipesh Chakrabarty

Winter, 1992, Vol. 37 (pp. 1-26) DOI: 10.2307/2928652
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The Image of Objectivity
Lorraine Daston, Peter Galison

Autumn, 1992, Vol. 40 (pp. 81-128) DOI: 10.2307/2928741
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Elephants in the Music RoomThe Future of Quirk Historicism
Nicholas Mathew, Mary Ann Smart

Fall 2015, Vol. 132 No. 1, (pp. 61-78) DOI: 10.1525/rep.2015.132.1.61
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Tiananmen Square: A Political History of Monuments
Wu Hung

Summer, 1991, Vol. 35 (pp. 84-117) DOI: 10.2307/2928718
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Castes of Mind
Nicholas B. Dirks

Winter, 1992, Vol. 37 (pp. 56-78) DOI: 10.2307/2928654

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